The Adoration of the Magi



Albrecht Durer, German, 1471 - 1528


The Adoration of the Magi




1503, 1511 edition


12 1/16 x 8 9/16 in. (30.6 x 21.8 cm)

Object Number



Albrecht Durer was the greatest and most innovative printmaker of the Renaissance. A native of Nuremberg, Germany, he had established an international reputation by the beginning of the 16th Century with the publication of three woodcut series, including the Life of the Virgin. In Durer's hands the woodcut came to rival the technique of engraving in its subtle modeling and intricate detail. The narrative sophistication of his prints repaid extended contemplation on the part of the viewer, and his work was avidly collected by connoisseurs and widely copied by contemporary artists.
Life of the Virgin

Credit Line

Gift of Mr. and Mrs. Stephen H. Loeb


Prints by Albrecht Durer, Santa Barbara Museum of Art, Santa Barbara, California, May 1 - May 25, 1958|
Woodcuts by Albrecht Durer: An Exhibition of Print Connoisseurship, Emory University Museum of Art and Archaeology, April 8 - June 7, 1986|
Old Master Works on Paper from the Permanent Collection, Michael C. Carlos Museum, May 11 - August 22, 1993|
Invention and Revival: Northern European Prints, Michael C. Carlos Museum, February 12 - May 15, 2005
John Howett, Woodcuts by Albrecht Durer: An Exhibition of Print Connoisseurship (Atlanta: The Museum, 1986), 52.


© Michael C. Carlos Museum, Emory University. Photo by Bruce M. White, 2008.
This image is provided by the Michael C. Carlos Museum of Emory University, who retains all rights in it. This image is made available for limited non-commercial, educational, and personal use only, or for fair use as defined by United States law. For all other uses, please contact the Michael C. Carlos Museum Office of Collections Services at +1(404) 727-4282 or Users must cite the author and source of the image as they would material from any printed work, but not in any way that implies endorsement of the user or the user's use of the image. Users may not remove any copyright, trademark, or other proprietary notices, including without limitation attribution information, credits, and copyright notices that have been placed on or near the image by the Museum. The Museum assumes no responsibility for royalties or fees claimed by the artist or third parties. The User agrees to indemnify and hold harmless Emory University, its Michael C. Carlos Museum, its agents, employees, faculty members, students and trustees from and against any and all claims, losses, actions, damages, expenses, and all other liabilities, including but not limited to attorney’s fees, directly or indirectly arising out of or resulting from its use of photographic images for which permission is granted hereunder.

On View



Albrecht Durer, German, 1471 - 1528, “The Adoration of the Magi,” Michael C. Carlos Museum Collections Online, accessed March 18, 2018,

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