DO or DIE: Affect, Ritual, Resistance by Fahamu Pecou explores the intersections between African-based spiritual traditions and the political and societal violence against black male bodies in the US. Pecou positions these bodies within Ifá, a diasporic religion of the Yoruba of southwest Nigeria; here, where spirits are infinite, a healing alternative exists for slain black men—Martin, Medgar, Emmitt, Trayvon, and Michael among them—and their communities. Centered around his Egungun mask, Pecou uses paintings, drawing, photography, and video to depict the spirit’s journey, including its encounters with divinity and its invocation through the ceremonial Egungun dance. The Carlos Museum will present Pecou’s work alongside historical Yoruba masks and divination tools in its collection, illustrating the continuing practice of this tradition.
This exhibition will be on view from January 19 through April 28, 2019.
Chimera: Andy Warhol through the 1980s draws on Polaroids, silver gelatin prints, and screen prints from the Michael C. Carlos Museum’s Works on Paper collection to explore Warhol’s working process and his nuanced takes on identity, self-perception, beauty, composition, and the American icon. In contrast to his most iconic pop art prints, these lesser known works of art reveal a thoughtful and self-reflective artist interested in multiple techniques and stages of completion.
This exhibition will be on view August 25 through November 25, 2018, in the John Howett Works on Paper Gallery.