Selected Bibliography

Ackerman, Gerald M. 2000. Jean-Léon Gérôme. Courbevoie: ACR Édition.

Allen, Ruth. 2016. “A cultural history of engraved Roman gemstones—their material, iconography, and function.” Ph.D. diss., University of Cambridge.

Aronson, Julie. 1996. Bessie Potter Vonnoh (1872-1955) and Small Bronze Sculpture in America. 3 vols. Ph.D. diss., University of Delaware, 1995. Ann Arbor: UMI Microform 9610469.

Art Institute of Chicago. 1998. The Lithographs of James McNeill Whistler, 2 vols. Harriet K. Stratis and Martha Tedeschi, general editors. Chicago: Art Institute of Chicago & Arie and Ida Crown Memorial. Digital edition, https://publications.artic.edu/digitalwhistler/reader/lithographs/section/3. Lithographs catalogued in this reference are marked C.

Barrow, Rosemary J. 2018. Gender, Identity, and the Body in Greek and Roman Sculpture. Cambridge: Cambridge University Press.

Barrow, Rosemary J. 2001. Lawrence Alma-Tadema. London: Phaidon.

Besques, Simone. 1992. Musée du Louvre Catalogue Raisonné des Figurines et Reliefs en Terre-cuite Grecs Étrusques et Romains, vol. 4, pt. 2 text; vol. 4, pt. 2 pls. Époques Hellénistique et Romaine Cyrénaique, Egypte Ptolémaique et Romain, Afrique du Nord et Proche-Orient. Paris: Réunion des Musées nationaux.

Bianchi, Emmanuela. 2006. “Receptable/Chora: figuring the errant feminine in Plato’s Timaeus.” Hypatia 1, no. 4 (Autumn 2006), 124–146.

Black, Paula and Ursula Sharma. 2001. “Men are real, women are ‘made up’: beauty therapy and the construction of femininity.” The Sociological Review 49, no. 1 (2001), 100–116.

Blundell, Sue and Nancy Sorkin Rabinowitz. 2008. “Women’s bodies, women’s pots: adornment scenes in Attic vase-painting.” Phoenix 62, no. 1/2 (Spring/Summer 2008), 115–144.

Bonnard, Jean-Baptiste. 2013. “Male and female bodies according to ancient Greek physicians.” Clio: Histoire, Femmes et Societes 37 (2013), 21–39.

Bourgeois, Brigitte. 2010. “Arts and crafts of colour on the Louvre’s Tanagra Figurines.” In Tanagras: Figurines for Life and Eternity: the Musée du Louvre’s Collection of Figurines, edited by Violainne Jeammet, 238–244. Valencia: Fundación Bancaja.

Bourgeois, Brigitte and Violaine Jeammet. 2018. “Les paradoxes de l’invention de la polychromie au XIXe siècle.” In En Couleurs: La Sculpture Polychrome en France 1850-1910, edited by Édouard Papet, 151–62. Paris: Musée d’Orsay and Vanves: Éditions Hazan.

Burn, Lucilla, and Reynold A. Higgins. 2001. Catalogue of Greek Terracottas in the British Museum, vol. 3. London: Trustees of the British Museum.

Curry, David Park. 1984. James McNeill Whistler at the Freer Gallery of Art. Washington, D.C.: Freer Gallery of Art.

Curtis, Mary F. 1879. Tanagra Figurines. Boston: Houghton, Osgood and Company.

D’Ambra, Eve. 1996. “Nudity and adornment in female portrait sculpture of the 2nd century AD.” In I, Claudia: Women in Ancient Rome, edited by Diana E. E., Kleiner and Susan B. Matheson, 101–115. New Haven: Yale University Art Gallery.

Däubler-Hausche, Claudia, and Michael Brunner, eds. 2009. Impressionismus und Japanmode. Überlingen: Städtische Galerie and Petersberg, Germany: Michael Imhof Verlag.

Day, Lewis F. 1893. “A Kensington Interior.” Art Journal 55 (May 1893): 139–44.

Dillon, Sheila. 2010. The Female Portrait Statue in the Greek World. Cambridge: Cambridge University Press.

Dillon, Sheila. 2012. “Case Study III: Hellenistic Tanagra Figurines.” In A Companion to Women in the Ancient World, edited by Sharon L. James and Sheila Dillon, 231–234. Hoboken, N.J.: Wiley-Blackwell.

Flemming, Rebecca. 2017. “Wombs for the gods.” In Bodies of Evidence: Ancient Anatomical Votives, Past, Present and Future, edited by Jane Draycott and Emma-Jayne Graham , 112–130. London: Routledge.

Graham, Emma-Jane. 2013. “The making of infants in Hellenistic and early Roman Italy: a votive perspective.” World Archaeology 45, no. 2 (2013), 215–231.

Hausberg, Meg, and Victoria Sancho Lobis. 2015. Whistler and Roussel: Linked Visions. Chicago: Art Institute of Chicago. Online exhibition, https://publications.artic.edu/whistler/reader/linkedvisions.

Hering, Fanny Field. 1892. Gérôme: The Life and Works of Jean Léon Gérôme. New York: Cassell Publishing Company.

Higgins, Reynold A. 1986. Tanagra and the Figurines. Princeton: Princeton University Press.

Huish, Marcus B. 1900. Greek terra-cotta statuettes: their origin, evolution, and uses. London: John Murray.

Huish, Marcus B. 1898. “Tanagra Terracottas.” The Studio 14 (1898): 97–104.

Hutton, C. A. 1899. Greek Terracotta Statuettes. New York: The Macmillan Co.

Ionides, Julia. 1995. “The Greek Connection—The Ionides Family and their Connections with Pre-Raphaelite and Victorian Art Circles.” In Pre-Raphaelite Art in its European Context, edited by Susan P. Casteras and Alicia Craig Faxon, 160–74. Madison, N.J.: Fairleigh Dickinson University Press.

Jeammet, Violaine. 2010. Tanagras: Figurines for Life and Eternity: the Musée du Louvre’s Collection of Figurines. Valencia: Fundación Bancaja.

Kleiner, Diana E. E. and Susan B. Matheson. 1996. “Introduction.” In I, Claudia: Women in Ancient Rome, edited by Diana E. E. Kleiner and Susan B. Matheson, 11–25. New Haven: Yale University Art Gallery.

Lindsay, Suzanne Glover, Daphne S. Barbour, and Shelley G. Sturman. 2010. Edgar Degas Sculpture. Washington, D.C.: National Gallery of Art; distributed by Princeton: Princeton University Press.

Livenas, Arthur. 2020. Une petit people de pacotille: la collection de fausse terres cuites greques du musée du Louvre. Mémoire de recherche. Paris: École du Louvre.

Llewellyn-Jones, Lloyd. 2003. Aphrodite’s Tortoise: The Veiled Woman of Ancient Greece. Swansea: Classical Press of Wales.

Lochnan, Katharine A. 1984. The Etchings of James McNeill Whistler. New Haven: Yale University Press.

MacDonald, Margaret F. 1997. Beatrice Whistler: Artist & Designer. Glasgow, Scotland: Hunterian Art Gallery.

MacDonald, Margaret F. 1995. James McNeill Whistler: Drawings, Pastels, and Watercolours; A Catalogue Raisonné. New Haven: Yale University Press. Works catalogued in this reference are identified M.

MacDonald, Margaret F, Grischka Petri, Meg Hausberg, and Joanna Meacock. 2012. James McNeill Whistler: The Etchings, a catalogue raisonné. University of Glasgow. http://etchings.arts.gla.ac.uk.

MacDonald, Margaret F, Patricia de Montfort, and Nigel Thorp, eds. The Correspondence of James McNeill Whistler, 1855-1903. Online edition, University of Glasgow. http://www.whistler.arts.gla.ac.uk/correspondence. Letters from this edition are identified as GUW.

Muller, Arthur. 2010. “The technique of Tanagra coroplasts. From local craft to ‘global industry.’” In Tanagras: Figurines for Life and Eternity: the Musée du Louvre’s Collection of Figurines, edited by Violainne Jeammet, 100-109. Valencia: Fundación Bancaja.

Musée du Louvre. 2003. Tanagra: Mythe et archéologie. Paris: Réunion des musées nationaux.

Olson, Kelly. 2008. Dress and the Roman Woman: Self-presentation and Society. London and New York: Routledge.

Olson, Kelly. 2009. “Cosmetics in Roman antiquity: substance, remedy, poison.” Classical World 102, no. 3 (Spring 2009): 291–310.

Pennell, Elizabeth Robins. 1897. “The Master of the Lithograph—J. McNeill Whistler.” Scribner’s Magazine 21, no. 3 (Mar 1897): 277–89.

Pennell, Elizabeth Robins, and Joseph Pennell. 1915. Lithography and Lithographers: Some Chapters in the History of Art. New York: Macmillan.

Pennell, Elizabeth Robins, and Joseph Pennell. 1908. The Life of James McNeill Whistler. 2 vols. Philadelphia: Lippincott.

Rayet, Olivier. 1875. “Les Figurines de Tanagra au Musée du Louvre.” Gazette des Beaux-Arts 12, no. 2 (1875): 297–314, 551–58.

Reeder, Eve D. 1995. “Women as containers.” In Pandora: Women in Classical Greece, 195–199. Trustees of the Walters Art Gallery.

Richlin, Amy. 1995. “Making up a woman: the face of Roman gender.” In Off with Her Head: The Denial of Women’s Identity in Myth, Religion, and Culture, edited by Howard Eilberg-Schwartz and Wendy Doniger, 185–213. Berkeley: University of California Press.

Rimell, Victoria. 2006. Ovid’s Lovers: Desire, Difference and the Poetic Imagination. Cambridge: Cambridge University Press.

Sharrock, Alison. 2012. “Womanufacture.” Journal of Roman Studies 81 (2012): 36–49.

Shumka, Leslie. 2008. “Designing women: the representation of women’s toiletries in funerary monuments in Roman Italy.” In Roman Dress and the Fabrice of Roman Culture, edited by Jonathan Edmondson and Alison Keith, 172–191. Toronto: University of Toronto Press.

Smale, Nicholas Burry. 2003. “Venus Transformed: Lithographs and Pastels of the 1890s.” The Whistler Review: Studies on James McNeill Whistler and Nineteenth-century Art, edited by Martha Tedeschi and Nigel Thorp. Centre for Whistler Studies, University of Glasgow 2 (2003): 27–36.

Sutton, Denys. 1964. Nocturne: The Art of James McNeill Whistler. Philadelphia: Lippincott.

Tedeschi, Martha, and Britt Salveson. Songs on Stone: James McNeill Whistler and the Art of Lithography. Art Institute of Chicago Museum Studies 24, no. 1.

Tsatsouli, Konstantina, and Elisavet Nikolaou. 2017. “The ancient Demetrias figurines: new insights on pigments and decoration techniques used on Hellenistic clay figurines.” STAR: Science & Technology of Archaeological Research 3, no. 2 (2017): 341–357.

Way, T. R. 1903. Memories of James McNeill Whistler, the Artist. London: John Lane.

Whistler, James McNeill. 1892. The Gentle Art of Making Enemies. London: Heinemann.

White, Gleeson. 1897. “An Epoch-Making House.” The Studio 12 no. 56 (Nov. 15, 1897): 102–12.

Wyke, Maria. 1994. “Woman in the mirror: the rhetoric of adornment in the Roman world.” In Women in Ancient Societies: An Illusion of the Night, edited by Léonie J. Archer, Susan Fischler, Maria Wyke, 134–151. New York: Routledge.

Young, Andrew McLaren, Margaret MacDonald, Robin Spencer, and Hamish Miles. 1980. The Paintings of James McNeill Whistler, 2 vols. New Haven and London: Yale University Press.