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Hell by Jan Sadeler

Jan Sadeler (Flemish, 1550-1600), after Dirck Barendsz (Netherlandish, 1534-1592). Hell, late 16th century. Engraving. Gift of Walter Melion and John Clum.

From 1500-1700, printmakers in the Low Countries were, as a group, the most skilled and prolific in all of Europe, and prints, often combined with text, played an important role in Netherlandish religious culture during this period. Printmakers utilized allegory in their work to address the most fundamental issues binding the human and the divine: love, virtue, vice, sin, death, and salvation.

Through a Glass, Darkly: Allegory and Faith in Netherlandish Prints from Lucas van Leyden to Rembrandt is the first major exhibition to systematically consider the form, function, and meaning of allegorical prints produced in the Low Countries during the 16th and 17th centuries, and serves as the basis for an illustrated catalogue produced by curators Walter S. Melion, Asa Candler Griggs Professor of Art History and director of the Bill and Carol Fox Center for Humanistic Inquiry at Emory University, and James Clifton, director of the Sarah Campbell Blaffer Foundation and curator of Renaissance and Baroque painting at the Museum of Fine Arts, Houston.

 

Press release

 

 

Credit

This exhibition is organized by the Michael C. Carlos Museum of Emory University.

This exhibition has been made possible through generous support from the Michael C. Carlos Museum Visiting Board, the Massey Charitable Trust, and the Art Dealers Association of America Foundation, and the Dutch Culture USA program by the Consulate General of the Netherlands in New York.

 

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